Travis Macdonald And Rudi Williams
January 2017
Curated by Liam Osborne
Punk Cafe, Brunswick
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Caution, 2015-2016
Hand printed chromogenic print on mild steel.
Eduard Vuillard and Pierre Bonnard united by Patrick Pound, National Gallery of Victoria, 2017
Inkjet on acrylic.
Ghosts, 2017
Inkjet on acrylic.
Travis Macdonald & Rudi Williams
Installation view.
Mensland by Travis Macdonald 2017
Oil and chalk on linen.
Invited by Gallery Director/Curator Liam Osborne, Travis Macdonald and Rudi Williams exhibited a collection of works selected to reflect their discussions of the image, the sketch, as well as their mutual interest in the shop front as subject matter.
Travis MacDonald is an artist and musician based in Melbourne. His deliberately understated works often feature a subdued palette and subjects that bridge the mundane to the absurd. They offer an idiosyncratic take on the more traditional genres of figuration and landscape painting. He draws upon his interest in art history, music and world events to present a memory: blurred, twisted and suggestive of a greater narrative, merging the personal and the universal.
Travis Macdonald And Rudi Williams
January 2017
Curated by Liam Osborne
Punk Cafe, Brunswick
Caution, 2015-2016
Hand printed chromogenic print on mild steel.
Eduard Vuillard and Pierre Bonnard united by Patrick Pound, National Gallery of Victoria, 2017
Inkjet on acrylic.
Ghosts, 2017
Inkjet on acrylic.
Travis Macdonald & Rudi Williams
Installation view.
Mensland by Travis Macdonald 2017
Oil and chalk on linen.
Invited by Gallery Director/Curator Liam Osborne, Travis Macdonald and Rudi Williams exhibited a collection of works selected to reflect their discussions of the image, the sketch, as well as their mutual interest in the shop front as subject matter.
Travis MacDonald is an artist and musician based in Melbourne. His deliberately understated works often feature a subdued palette and subjects that bridge the mundane to the absurd. They offer an idiosyncratic take on the more traditional genres of figuration and landscape painting. He draws upon his interest in art history, music and world events to present a memory: blurred, twisted and suggestive of a greater narrative, merging the personal and the universal.